Materials and Techniques of Artists

PINTURA MURAL: NOVES I ANTIGUES TENDÈNCIES EN MATERIALS, PRÀCTIQUES ARTÍSTIQUES I CONSERVACIÓ

Mimesis / Art Conservation / Conservation- restoration mural and canvas painting / Pigments / History of Pigments / Maya Blue / Mural painting / Materials and Techniques of Artists / Artist Pigments / Ancient Art Materials and Techniques / New Materials in Art Conservation / Maya Blue / Mural painting / Materials and Techniques of Artists / Artist Pigments / Ancient Art Materials and Techniques / New Materials in Art Conservation

TRA DUE FUOCHI

Art / Metallurgy / Art and technology / Visual Arts / Fine Arts / Ancient Metallurgy / Foundry / DIY culture / Metal Casting / Textbook / Do It Yourself (DIY) / DIY / Materials and Techniques of Artists / Bellas Artes / Bronze Casting / Foundry Technology / Bronze Metal Casting / Ancient Metallurgy / Foundry / DIY culture / Metal Casting / Textbook / Do It Yourself (DIY) / DIY / Materials and Techniques of Artists / Bellas Artes / Bronze Casting / Foundry Technology / Bronze Metal Casting

MOÑIVAS, E. “Un proyecto interdisciplinar para la conservación y restauración de Arte Contemporáneo” en: Pátina, nº 13-14, mayo de 2006, pp. 213-220.

Installation Art / Contemporary Art / Cultural Heritage Conservation / Materiality of Art / Memory and materiality / Science for Conservation and Restoration of Cultural Heritage / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Conservation and Restoration / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Science for Conservation and Restoration of Cultural Heritage / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Conservation and Restoration / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art

MOÑIVAS, E. “El papel de la Historia del Arte en el paradigma de la planificación transdisciplinar. Líneas metodológicas posibles para el estudio de las técnicas y materiales del Arte Contemporáneo”

Art History / Art Theory / Contemporary Art / Cultural Heritage Conservation / Materials / History of Art / Arts-sciences interdisciplinarity / Art and technology / Materiality of Art / Memory and materiality / Historia del Arte / Materiality / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Historia Y Teoría Del Arte / History of Art / Arts-sciences interdisciplinarity / Art and technology / Materiality of Art / Memory and materiality / Historia del Arte / Materiality / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Historia Y Teoría Del Arte

MOÑIVAS, E. “Material/Inmaterial. Una memoria en proceso” en: VV. AA. (Eds.). Archivos y fondos documentales del arte contemporáneo. Cáceres: Junta de Extremadura; Consorcio Museo Vostell Malpartida; Universidad de Extremadura, 2009, pp. 299-305.

Art History / Installation Art / Contemporary Art / Cultural Heritage Conservation / Materials / History of Art / New Media Art / Art and technology / Materiality of Art / Memory and materiality / Science for Conservation and Restoration of Cultural Heritage / Conservación y Restauración / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte Povera / Arte contemporáneo / Materials and Techniques of Artists / Science for Conservation and Restoration of Cultural Heritage and History of Architecture / Conservation-Restoration of Modern and Contemporary Art / History of Art / New Media Art / Art and technology / Materiality of Art / Memory and materiality / Science for Conservation and Restoration of Cultural Heritage / Conservación y Restauración / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte Povera / Arte contemporáneo / Materials and Techniques of Artists / Science for Conservation and Restoration of Cultural Heritage and History of Architecture / Conservation-Restoration of Modern and Contemporary Art

MOÑIVAS, E. “La tierra: presencia y trascendencia. Apuntes sobre la imaginación material en la obra de William Congdon” en: ACEDO, Nieves; LIZARRAGA, Paula (Eds.). William Congdon y la revisión del Expresionismo Abstracto. Pamplona: Eunsa, Cátedra Félix Huarte, 2010, pp. 169-180.

Art History / Contemporary Art / Gaston Bachelard / Materials / History of Art / Materiality of Art / Visual Arts / Memory and materiality / Abstract Expressionism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Artes visuales / Material Imagination / Imaginación material / Materiality of Art / Visual Arts / Memory and materiality / Abstract Expressionism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Artes visuales / Material Imagination / Imaginación material

MOÑIVAS, E. \"Agua y arte contemporáneo. Mirar (y crear) a través de esferas de agua” en: CSIC, Cultura científica, Año Internacional de la Cooperación en la Esfera del Agua, 2013.

Water / Contemporary Art / Materials / Environmental Sustainability / Materiality of Art / Memory and materiality / Materiality / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Water and Art / Memory and materiality / Materiality / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Water and Art

MOÑIVAS, E. “Sobre la significación de la materia y el cambio de paradigma cultural” en: LOOTZ, Eva. Escultura negativa / Negative sculpture. Madrid: Fundación Arte y Mecenazgo; La Oficina de Arte y Ediciones, 2014, pp. 24-27.

Art Theory / Water / Art and Science / Materials / Arts-sciences interdisciplinarity / Artistic Research / Materiality of Art / Materiality / Arte contemporáneo / Arts and Sciences / Material Culture & Materiality / Art Theory and Criticism / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Escultura Contemporanea / Sculpture-Materiality-Imagination / Water and Art / Imaginación material / Artistic Research / Materiality of Art / Materiality / Arte contemporáneo / Arts and Sciences / Material Culture & Materiality / Art Theory and Criticism / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Escultura Contemporanea / Sculpture-Materiality-Imagination / Water and Art / Imaginación material

MOÑIVAS, E. “Conceptualizar los procesos creativos” en: MOÑIVAS, Esther; DE MEÑAKA, Amaia (Coords.). Ab Ovo. Lo inefable de los procesos creativos [Cat.]. Madrid: Universidad Antonio Nebrija, 2015, pp. 20-23.

Art History / Arts Education / Engineering Design / History of Art / Artistic Research / Conceptual Art / Historia del Arte / Exhibitions / Education of Fine Arts / Methodologies for Artistic Research / Materials and Techniques of Artists / Exposiciones / Phenomenology and the Artistic Process / Conceptual Art / Historia del Arte / Exhibitions / Education of Fine Arts / Methodologies for Artistic Research / Materials and Techniques of Artists / Exposiciones / Phenomenology and the Artistic Process

MOÑIVAS, E.; DE MEÑAKA, A. (Coords). \"Ab ovo. Lo inefable de los procesos creativos\". Matadero-Madrid, DIMAD, 2015. Exposición colectiva organizada por la Universidad Antonio de Nebrija [Catalogo completo]

Architecture / Interdisciplinarity / Contemporary Art / Industrial Design / Arts Education / Engineering Design / Artistic Research / Arquitectura / Diseño Industrial / Exhibitions / Education of Fine Arts / Arte contemporáneo / Metodologia / Methodologies for Artistic Research / Materials and Techniques of Artists / Exposiciones / Educación en artes visuales y plásticas / Engineering Design / Artistic Research / Arquitectura / Diseño Industrial / Exhibitions / Education of Fine Arts / Arte contemporáneo / Metodologia / Methodologies for Artistic Research / Materials and Techniques of Artists / Exposiciones / Educación en artes visuales y plásticas

MOÑIVAS, E. \"La pintura como lugar de encuentro. Una lectura de las huellas en la materia\". Universidad de Navarra, 2007.

Art History / Contemporary Art / Materials / History of Art / Materiality of Art / Abstract Expressionism / Historia del Arte / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Art Painting Techniques and Materials / Imaginación material / Abstract Expressionism / Historia del Arte / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Art Painting Techniques and Materials / Imaginación material

MOÑIVAS, E. \"El papel de la historia del arte en el paradigma de la planificación transdisciplinar. Líneas metodológicas posibles para el estudio de las técnicas y materiales del arte contemporáneo\". Universidad de Oviedo, 2007.

Art History / Art Theory / Contemporary Art / Cultural Heritage Conservation / Materials / History of Art / Arts-sciences interdisciplinarity / Art and technology / Memory and materiality / Historia del Arte / Materiality / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Historia Y Teoría Del Arte / History of Art / Arts-sciences interdisciplinarity / Art and technology / Memory and materiality / Historia del Arte / Materiality / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Historia Y Teoría Del Arte

MOÑIVAS, E. “Narrativas fluidas. El agua como presencia material en las artes plásticas contemporáneas” en: Dept. Història de l\'Art i CEHA-Comité Español de Historiadores del Arte (coords.). CEHA, XVII Congrés Nacional d´História de l´art. Art i Memóri. Granada: Editorial Atrio, 2012, pp. 249-263.

Aesthetics / Art History / Art Theory / Research Methodology / Water / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte / Contemporary Art / Gaston Bachelard / Materials / History of Art / Art and technology / Materiality of Art / Memory and materiality / Fluids / New Materialism / Historia del Arte / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Arte contemporáneo / Material Culture & Materiality / New Materialisms / Estética, Teoría del Arte, Fenomenología / Andre Leroi-Gourhan / Materials and Techniques of Artists / Material Imagination / Phenomenology and the Artistic Process / Water and Art / Agua y arte

MOÑIVAS, E. “Continuum. Un (posible) sueño sobre los límites que definen los objetos” en: VV.AA. Mutación poética. Naturaleza viva en los objetos de Ángel Ferrant. 1945-1950. Pamplona: Museo Oteiza, 2017.

Contemporary Art / ESCULTURA / Arte contemporáneo / Estética, Teoría del Arte, Fenomenología / Materials and Techniques of Artists / Material Imagination / Sculpture-Materiality-Imagination / Imaginación material / Ángel Ferrant / Material Imagination / Sculpture-Materiality-Imagination / Imaginación material / Ángel Ferrant

Tesauro y Diccionario de Materias.pdf

Art and technology / Technical Art History, Conservation / Materials and Techniques of Artists

Tesauro y Diccionario de Técnicas.pdf

Art History / Art and technology / Technical Art History, Conservation / Materials and Techniques of Artists
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